Renowned artist Nuwa Wamala Nnyanzi recalls the impact of his artwork on Pope John Paul II during his visit to Uganda in 1993.

While younger generations may remember Pope Francis’ visit to Uganda in 2015, the older generation holds cherished memories of past papal visits, especially those of 1993 and 1969. Renowned Ugandan multimedia visual artist Nuwa Wamala Nnyanzi shares his vivid recollections of Pope John Paul II’s visit in 1993 and how his artwork touched the heart of the holy man.

Papal Visit of 1993: A Pivotal Moment Nnyanzi describes Pope John Paul II’s visit in 1993 as a pivotal moment in his artistic career. He reminisces about creating his artwork titled “Praise And Worship In Lubiri” with the theme “Worshiping God The African Way.” The artwork had a profound impact on the Pope, who insisted on safeguarding it alongside his personal belongings and transporting it on the same plane back to the Vatican. This was a remarkable gesture, considering the numerous gifts the Pope received during his travels.

The Artwork: “Worshiping God The African Way” Nnyanzi’s artwork depicts a scene where individuals within a kikaali (gate) are holding books outside a kasubi (shrine), while others hold tree branches and leaves, rejoicing over a new era. Some people are bound, while others, armed with sticks and spears, aim to harm those restrained. Outside the kikaali, onlookers peep in to witness the commotion, reminiscent of the story of the Uganda Martyrs.

Creation of the Artwork Nnyanzi explains that he was commissioned by Pan World Insurance to create a special gift for the Pope during his visit to Uganda. Drawing inspiration from his previous artwork titled “The Pentecost,” which had a similar theme, he meticulously sketched the piece and entrusted wood carving artist Ronald Wasswa Katumba to bring it to life. Wasswa carefully selected durable muvule wood known for its longevity in various weather conditions.

Artistry and Recognition Both Nnyanzi and Katumba recall the honor of creating a piece for the Pope. Beyond the recognition, they emphasize the substantial compensation they received, reinforcing their belief in the value of their artistic pursuits. Nnyanzi celebrated his artistic journey with an exhibition titled “Celebrating Forty Years of Brush Strokes from 1978 to 2018” at the Nommo Gallery in Kampala in 2018.

Conclusion Even though 30 years have passed since Pope John Paul II’s visit to Uganda, Nnyanzi and Katumba vividly remember the impact of their art on the Pope. Their illustrious careers in the art and culture sector continue to leave a lasting legacy in Uganda’s artistic landscape.